No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh. - Simon Schama’s Power of Art. Bernini
Amid dozens of background stars, four planets and a few million pixels worth of wonder, my favorite part is the hazy outer ring of water vapor, spewed out from the leaky moon Enceladus and its geysers.
Earth appears in the lower right, clear and blue, joined by our moon in this enlarged image:
“What an astonishing thing a book is. It’s a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you’re inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic.”
Stereotyping was invented in the 18th century to avoid the repeated setting of pages in type for reprints of a text. This process lay behind much mass printing in the 19th and 20th centuries, including The Oxford English Dictionary as shown in this clip.